https://www.yorkchang.com/glyphs daily 0.75 2023-01-23 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567655159-MAXH3JSFYRVUKTQYBMD2/_L9A7676.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567655159-MAXH3JSFYRVUKTQYBMD2/_L9A7676.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567654954-2AQ573AVFWN32KT8R7FS/_L9A7680.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567665837-GRFM5RHYR8IA04LIF7QI/_L9A7684.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567666174-632H5SCHCU3YA2RSUW3C/_L9A7686.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567674420-Q5VH2D7P1M26QBUC1IF2/_L9A7689.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673567675130-J9CJKQ5608VRN9DQEGLE/_L9A7692.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673581147536-DMTPA5ITIPRBM2GIS7TN/Centro%28GlyphDrawing%29+copy.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1673581531715-JTV2HIEXH8K24FCPCRNX/York+Chang_COLA+Work_Friend+or+Foe%28Glyph%29.jpg glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1674499796458-R03EHTA17T93IQJP9CJ0/Soma+%28Glyph%29.jpg glyphs (series) https://www.yorkchang.com/new-gallery-1 daily 0.75 2025-04-06 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914863195-OYUDP2NCY9BGEGFEH0I0/Precipice%282025%29.jpg paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914863195-OYUDP2NCY9BGEGFEH0I0/Precipice%282025%29.jpg paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914058195-3XBP7HAFZ4DCS92WLC08/theawakening+%28color-corrected%29.jpg paintings https://static1.squarespace.com/static/58dd5e02893fc0e5ef6ec888/67f1e4f75e428964aac5930e/67f1e50d3824790a5e5e5f5d/1743915094991/ paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914123922-1T3K0QWRDB9ZEHT853Q2/en_verso%28after_kurasawa%29.jpg paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914095341-Y5T755TIZ4WMLBXSN3TG/themapistheterritory%28after_harunforocki%29%28color-corrected%29.jpg paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914320031-WLI5RFSFUIMFXUXRA5K5/Mumbai+%28color-corrected%29.jpg paintings https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1743914334830-JC3PUHHTNSHD8SV05S5M/Recuerdo_Room33%282025%29.jpg paintings https://www.yorkchang.com/memory-palaces daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229449933-FEMYIZ279ZPLGW3IVJD6/Gugg_Image1.jpg memory palaces - A History of Two Opposing Forces Seeking Disequilibrium (Memory Palace Series), 2023 handwoven and dyed fabric, inkjet print and flashe paint on Japanese kozo paper scrolled on walnut posts 8 ft. x 3 ft. x 1.5 ft. This sculpture makes use of photographic indexes embedded in the formal tropes of flags, parchment scrolls, and theatrical curtains to make reference to the history of movements and actors caught up in ideological struggle. Newspaper images of extremists movements and dislocated migrants are veiled within the scrolled paper and only partially legible, signalling the hidden histories and the unobservable geopolitical forces at work. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229449933-FEMYIZ279ZPLGW3IVJD6/Gugg_Image1.jpg memory palaces - A History of Two Opposing Forces Seeking Disequilibrium (Memory Palace Series), 2023 handwoven and dyed fabric, inkjet print and flashe paint on Japanese kozo paper scrolled on walnut posts 8 ft. x 3 ft. x 1.5 ft. This sculpture makes use of photographic indexes embedded in the formal tropes of flags, parchment scrolls, and theatrical curtains to make reference to the history of movements and actors caught up in ideological struggle. Newspaper images of extremists movements and dislocated migrants are veiled within the scrolled paper and only partially legible, signalling the hidden histories and the unobservable geopolitical forces at work. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252224573-2Y1JUGL3ZWWE21V06OO7/Gugg_Image6.jpg memory palaces - Serpiente (Glyph series), 2022 Flashe paint, graphite, and pastel on stacked and folded Japanese kobo paper mounted on canvas 24 in. x 36 in. Language is the first conspiracy, making us accomplices when it falls apart/comes together/fails us/finds us right on the edge of legibility, and at the margins of meaning. The “Glyph” series is comprised ink drawings of newspaper texts, deconstructed and reconfigured to oscillate at the edge of legibility, simultaneously invoking the authority of English newspaper fonts and the traditions of Chinese calligraphy. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230188053-A8MJV6RRAEG6C4F86EEF/MemoryPalace-HistoryofKissing.jpg memory palaces - A History of Kissing (Memory Palaces Series), 2024 mixed media and inkjet print on stacked Japanese kozo paper 72 in. x 50 in. This work is from the "Memory Palaces" series of collages and assemblage works operating as speculative mnemonic devices for an ahistoric world suffering from collective amnesia. The work is composed of enlarged images of clipped newspaper images collected and placed into relation to one another as montage, based on an invisible rubric, visual information buried underneath each successive image. The title references a number of images which document early archaeological evidence of the social practice of kissing, found in roughly the geographic area that is now Israel and Palestine. The series is an analog material representation of how our sense of memory, history, and truth deteriorates over time through the overaccumulation of experience and information. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230284244-228KHC9YR1GPGCEYOA44/Factograph_LaughingCrying.jpg memory palaces - An Amplitude That Information Lacks (Factograph Series) inkjet on folded Japanese kozo paper 32 in. x 46 in. Factography is a concept coined by the Soviet avant-garde to describe the aesthetic practice of embedding facts within storytelling to register a greater collective truth. The term is applied here to describe the visual ordering and rhyming of photojournalistic images, triggering subjective patterns of narrative production in our collective subconscious. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229512684-AYPROE44YO448200CU7J/Gugg_Image14.jpg memory palaces - Pattern Dependency, 2024 inkjet, charcoal, and photogel filters on folded Japanese kozo paper 24 in. x 37 in. This work is a pseudo-didactic diagram that echoes, points, and colors the underlying formal patterns in the neighboring photographic image, but vacates the work of specific content, information or instruction. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229479220-KXF8ADW1HDA8QTORY319/Gugg_Image7.jpg memory palaces - A History of Silent Negotiations (Memory Palaces Series), 2024 mixed media and inkjet print on stacked and folded Japanese kozo paper 72 in. x 50 in. This work is from the "Memory Palaces" series of collages and assemblage works operating as speculative mnemonic devices for an ahistoric world suffering from collective amnesia. The work is composed of enlarged images of clipped newspaper images collected and placed into relation to one another as montage, based on an invisible rubric, visual information buried underneath each successive image, including an image of the Rubens painting Venus Supplicating Jupiter. The series is an analog material representation of how our sense of memory, history, and truth deteriorates over time through the accumulation of experience and information. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230662240-9WT0RWBLAI00BYXU6QJ8/MemoryPalace_excavated.jpg memory palaces - A History of Forensic Extraction (Memory Palaces Series), 2024 inkjet on Japanese kozo paper, graphite on cut illustration board 22 in. x 14 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744247657434-JRHTYFCQNK03MIALF448/MemoryPalace_PoemGraph.jpg memory palaces - Scene of Language (Throwing Voices Series) Charcoal on folded Japanese kozo paper 26 in. x 35 in. The Throwing Voices series invokes the slipperiness in language and memory by folding works of poetry into open diagrammatic systems susceptible to multiple circulating pathways of subjective meaning. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744246848490-137PDKXH3AO8JXOE2DDG/Tactical+Schematic_white_Gugg_Image12.jpg memory palaces - Tactical Schematics IX, 2019 Acrylic and gesso on folded newspaper mounted on Arches paper 11.5 in. x 23 in. The “Tactical Schematics” series draws on the history of minimalism as a starting point, but reinvests the theatrical concepts underpinning minimalism with more of the urgency and uncertainty of the moment. The forms presented are not so much about a formal reduction and streamlining of visual information, as they are an expression of power and control in an information age- the redaction of factual information with a subjective gesture substituting as the presence of material fact. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252065365-E8KU44T32MAHRB2BEUTR/Gugg_Image2.jpg memory palaces - The Ungovernable (Nuxalk Tribe), 2024 inkjet, Flashe paint on Japanese kozo paper and illustration board in aluminum frame 11" x 14" This work engages with directly with the complexities and ethics of how an image (and its referent by extension) can be made both beneficiary and subject to power through legal controls or regulations- here, a found photograph of an indigenous sculpture evades copyright law and federal prohibitions against photography and display of registered native objects, through the strategic alteration and transformation of the image into a contemporary forensic object- taking as its subject the Naxalk tribe’s historical refusal to register with the U.S. government. https://www.yorkchang.com/memory-palaces-recent-work-no-text daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252887803-6M2X0SCLFGN5AQUOOR4L/Gugg_Image1.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252887803-6M2X0SCLFGN5AQUOOR4L/Gugg_Image1.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252893586-CLB49D2ION7T9Q0XBEFX/Gugg_Image2.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252901622-C8FQF4WBV8OFX6UMJ5O2/Gugg_Image3.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252906042-PG1QVAN2L3VDCQEFDRWV/Gugg_Image4.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252911418-V5VMXN1MXW66F6ZUM3EC/Gugg_Image6.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252925427-9VPEONFF01G4I1YEIXIV/Gugg_Image12.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252915743-DXQVDYL4LCBVM186WOPV/Gugg_Image7.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252932444-WQT8EWLRV0W6VNMN36VP/Gugg_Image13.jpg memory palaces (recent work) (no text) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252938402-UW0VI2Z9MYL3JHZJZ3LV/Gugg_Image14.jpg memory palaces (recent work) (no text) https://www.yorkchang.com/documentary daily 0.75 2023-01-13 https://www.yorkchang.com/arco-madrid daily 0.75 2017-04-03 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197492539-X8BKRKQPHYCS5ZKG3G4S/10_confrontoesteticapostcard1.jpg arco madrid action https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197493004-XX0IBZHVPBGIQVB5HY0G/10_seminar4.jpg arco madrid action https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197491427-IXHQXOVA3I8OBB1W8XSI/10_button.jpg arco madrid action https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197492473-ZIJ4QZZQXA75F9V8GJUK/10_deitchbutton2.jpg arco madrid action https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197493059-SQFRA0U62EKTHT3RDSAB/10_hans-ulrich-button.jpg arco madrid action https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197491218-FPX6JEIOAP89A3G9LONS/10_barneyhighres.jpg arco madrid action https://www.yorkchang.com/radio-interview daily 0.75 2017-04-03 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491197993085-WYSYN6AGABXQNQLOY6ZP/5_kcsn-studios.jpg radio performance https://www.yorkchang.com/recent daily 1.0 2023-07-01 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491194309017-M721C0SIWLJVTCS9L2BH/1_background+copy.jpg home https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688179481154-9KGPRY0DD5AN5ZTK2YI5/_L9A7676.jpg home glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181698259-DQ4R2G3MUY9ALYLQYDUC/constituent+parts+radio+transmission+installation.jpg home constituent parts (exhibition/performance) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688150845976-2R9P1D5WT9XXAAXYVSF0/Shroud+%28Art+Center%29.jpg home shrouds https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688162444524-26EBDI9DOWJMGU3SUK5F/Stacked+%28new+collage%29%28cropped%29.jpg home bouquets 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https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180117550-NDQ1E5FM3F695SPDWBKM/GREENE_IS_THIS_THIS_THAT_0039%28re-sized%26no-glare%29+copy.jpg home bouquets (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180315239-NG6VWVZMBPHTL1IMRBG9/Ficciones_book2.jpg home superficciones (artist book/exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180359620-7PGQTDPPFG73XROQSC7N/Last+Exit%28splashpage%29.jpg home https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181112379-40II5Q8XD9LKWOM6K3IT/5-14-2019_YorkChangArtInstall_10.jpg home shortwave (sound) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181531101-OOB42D5XBM4HBVFOHCXP/chang010.jpg home constituent parts (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180717997-XFB0WJ01DOCB4YNF33CN/York+Chang_COLA+Work_Friend+or+Foe%28Glyph%29.jpg home glyphs (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180487576-NVQ0M50EOBLE65XVQKDU/Antagonistics%28LegacyPortrait1%29.jpg home antagonistics (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688180888338-MAYG3YZ9X07AV796DTVD/14VPAM-Attract%26Repel%28factograph%29+copy.jpg home the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181152924-1025AGTV6CWGWKPU6RW1/5-14-2019_YorkChangArtInstall_21.jpg home the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181197231-V66DOBS8TC2D4JNCFBQC/IMG_1337.jpg home radio booth (performance/installation) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181333275-SKO460OIUMKT9EY4RSHM/Brookfield+Commission+Documentation-York+Chang.jpg home tactical schematics (series) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181981878-7KNSYKPEW2VUCA3P66JV/_L9A7699.jpg home https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181780343-PRTTJVMHXEQSADV1JCBZ/IMG_4853.JPG home https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1688181835876-U90QT019PBHR5UASDJT1/5-14-2019_YorkChangArtInstall_02.jpg home the signal and the noise (exhibition) https://www.yorkchang.com/artforum-revisionism daily 0.75 2017-04-03 https://www.yorkchang.com/parafictional-website daily 0.75 2017-04-04 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491282110377-G863GX9BHZP8C2AHW9NC/spvrwebsite.jpg parafictional website https://www.yorkchang.com/syrop-chang daily 0.75 2023-01-13 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491198381610-CXNU1OW56F4BC71Q06HS/void+with+syrop syrop & chang (exhibition) https://www.yorkchang.com/superficciones daily 0.75 2023-01-13 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564464439562-TSMXKEM1L481B3PN0L68/stars+incline+us+diptych%28spalshpage2%29jpg+copy.jpg superficciones (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491199559106-9BSKKW3NGK2D1C6AQDDF/Ficciones_book+copy.jpg superficciones (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491199564050-7LSGM3X8N32V38MIMTUP/Ficciones_book2.jpg superficciones (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491199562013-G8FCIJD6ECXSNLUXJ0J3/Ficciones_book3.jpg superficciones (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491199563124-F7FW8W6ZZWQPN9QGGLOB/Ficciones_install.jpg superficciones (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1491199565322-ZGZDVU7ZBIX2EWVGI1FE/Ficciones_install2.jpg superficciones (exhibition) 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https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564423250355-VKFH8EDZTR6985DK93PD/Radio+Booth+Performance+Still4.jpg radio booth (performance/installation) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564423279521-R7P6GZR1T2NSS24CAZ7E/Radio+Booth+Performance+Still3.JPG radio booth (performance/installation) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564423281520-1QIRLHSAUGSDSEW1C1G5/Radio+Booth+Promo3%28double-image%29.JPG radio booth (performance/installation) https://www.yorkchang.com/the-signal-and-the-noise daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564426536035-J15WA1Z2FIT4X5BZZKFM/5-14-2019_YorkChangArtInstall_02.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425064868-LBQ5EYSAXLU9Q5B1MGCD/5-14-2019_YorkChangArtInstall_06.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744249608176-1AX1SHFYWMD7FB3N5DHS/1_2-2019_YChANG-EFFRIAS_075.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564424932646-YXOSWRUQIVCBNRTDTA98/5-14-2019_YorkChangArtInstall_03.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633573698-Y3NL3FZS1WVIHLC9ADYU/VPAMAdriftxShifts%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633574090-H7K3CLS810ZD2B2EHFWL/VPAM-Attract%26Repel%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633578832-UBASF8HOQ0NUP1W2U7Q8/VPAM-Make_Them_Pay%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425169077-6L5OXI37DDD1B7I0XYZC/5-14-2019_YorkChangArtInstall_09.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425348142-GB952BGGW53E3X1YR1BW/5-14-2019_YorkChangArtInstall_10.jpg the signal and the noise (exhibition) shortwave, 2019 A portable shortwave radio is tuned to a particular short-wave frequency (19020 kHz), where different transmissions from distant parts of the world occupy the same wavelength on the radio dial. In one transmission, a preacher gives a sermon on the socio-religious nature of truth. In another, two men argue about the nature of existence. The transmissions shift in between one another, in an endless loop, lost in static and the individuals’ own thoughts and ruminations, unaware of the entanglement of their transmissions. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565706812318-H0F6L26AEAB2I7G1RTB8/5-14-2019_YorkChangArtInstall_07.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425237515-PS87RW2OW0UI8EIZ8DCG/5-14-2019_YorkChangArtInstall_11.jpg the signal and the noise (exhibition) Forensic IV, 2019 Obsolete Polaroid film, mechanical photographic devices solely designed for the production of instant, chemically produced images, are reversed to become an erased index. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425392200-D155S7X93EZGU76SO50Z/5-14-2019_YorkChangArtInstall_12.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633584718-9F5QOM5B1WDT0IZF2QXU/VPAM-spectator%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633581958-7DP0TYLSWX62Q17HKF89/VPAM-openandshut%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633584448-X0XN5GDF9JLJVCJ1NES4/VPAM-to_objectivity%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425471417-5HRQZ41EZUWXATO3AI4E/5-14-2019_YorkChangArtInstall_13.jpg the signal and the noise (exhibition) To Escape the Crisis Before It (After Adrienne Rich and Diane Arbus), 2019 A poem by Adrienne Rich and a photograph by Diane Arbus are disguised as reportage in a newspaper clipping that the artist has written, transcribed and constructed. The transcription of Rich’s poem in the clipping is based on the artist’s observation of how his own eyes moved across the words of the original poem on a page, often re-reading certain lines over and over in rhythmic repetition. The poem, which is about how poetic language may be the only way to bring a public into engagement with important political conditions, reads differently in the new format. Like the poem itself, this artwork shifts and oscillates in the space between factual reporting and poetic reflection. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425586900-5D89Z4HW9DDDMCQBREKU/5-14-2019_YorkChangArtInstall_14.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425530750-EQVMSK8EJWF4ZPOKAFCC/5-14-2019_YorkChangArtInstall_15.jpg the signal and the noise (exhibition) Shredded, 2017 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564425704622-I2FZA9XPE8ZV08VPSD1P/5-14-2019_YorkChangArtInstall_16.jpg the signal and the noise (exhibition) Shredded, 2019 (detail) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564426074927-QPYTMAUWHW7K07VV30HW/5-14-2019_YorkChangArtInstall_17.jpg the signal and the noise (exhibition) Future Perfect False Prophet, 2019 These three schematic diagrams, seemingly simple line graphs, are visual representations of the many complex ways that objective, verifiable facts are perceived and misperceived. Rendered in an absurdist manner, these graphs address disorientation as a problem of the vastness and imprecision of data, and the challenges of knowing where truth lies when confronted with complexity. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565706710514-KDRZL749VZ2FZW3LZICZ/VPAM-Cloud+Graph-1.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565706710073-3KQ012GV5FY2P4HUG1TD/VPAM-Cloud+Graph-2.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565706710728-7O5MDYNW86DPM1MW1Q8T/VPAM-Cloud+Graph-3.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565706966259-MF4XNQR7LQ0CRZK8GT1D/5-14-2019_YorkChangArtInstall_18.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1564426174781-31ZMZ44GPTN1BJ8FOWXJ/5-14-2019_YorkChangArtInstall_19.jpg the signal and the noise (exhibition) Factographic Fields, 2019 Factography is a concept coined by the Soviet avant-garde to describe the aesthetic practice of embedding facts within storytelling to create a greater collective truth. The term is applied here to describe the visual ordering of photojournalistic images, a new age of propaganda when there are no coincidences, only anonymous algorithms driving systems and networks of diverse images into our consciousness in an immersive, perpetual visual campaign. The images cast auras on each other to the point of illegibility, functioning as a montage in space but without time or directional constraints. The factographs, published at one of the last newspaper offset printing presses in Los Angeles, give a material, analog sense of the volume of images consumed every day in the digital world. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633575666-XYCTE627O4W9WO93ZAO3/VPAM-blur%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633580642-Q7DO1594HTDJ4ONFSXXL/VPAM-no_threat%28factograph%29.jpg the signal and the noise (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1565633577351-9NFR32V71NQE4Q75DQI8/VPAM-en_verso%28factograph%29.jpg the signal and the noise (exhibition) https://www.yorkchang.com/to-be-wrong-with-infinite-precision daily 0.75 2025-04-09 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1c6e4fe7-c8e6-436b-a68e-473980e59870/York+Chang-First+Eclipse.jpg to be wrong with infinite precision (exhibition) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909908571-93XL5UDGIWYM14LXHLIP/Web-Civilian%26Slingshot-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909909077-2BLWPF7ANKU5LFF3PA3G/Web-Eclipse%26Pursuer-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909909970-KF41ZW541X1PWDTGLQ5V/Web-Pursuer%26PickUp%26BigPicture-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909909603-JE71KENOE3IN1AMKSB4C/Web-TheSignal%26Forensic-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909909067-878SCH6CHFVFW5HOORPB/Web-Montgomery%26Slingshot-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911775614-6BHPII8RNKKAW2DP94PE/Web-Radio+Booth-Install1.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909910040-BOIQFVHKDH509G16AQ56/Web-Tumult-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909910312-PX5KI3T0VTJ9DIMR6ELV/Web-Uqbar%26CommonKnowledge-Install.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911686987-OD93MR0R532QNFSLCT5K/Web-AdriftByShifts%28sculpture%29-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909846540-824L2CBANPUKU8V1T441/Web-Communiques-Adrift+by+Shifts.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909841280-B8PSD55HTLBDN2CYIE4U/Web-CommonKnowledge-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569910645985-JV9BJLBZKI75DBGTKOZD/Web-Factograph%28Civilian%29Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909842657-YOC7JPGF4ERLMD1MQ4VO/Web-Eclipse-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909849380-2F6VB479RFZ3IARRESS8/Web-Montgomery-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909853617-RN6MZRNKW1ZZTS5ETTJF/Web-ThePickUp-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569910661055-UP25TUZD27TFCY6X3U92/Web-Factograph%28Pursuer%29Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909847784-WKLF8EADSE6QLNXNUE08/Web-Forensic-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909843601-178XLN1W48E8OJU261IL/Web-Forensic-Detail.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909849374-OLQW8GIVOU349K0SON7U/Web-Signal%26Noise-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909851427-V57SOL2UHXNJGLCXYG3K/Web-Slingshot-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909840418-S1HMQLEOXKSAQ5V1PDZI/Web-BigPicture-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569909853031-3L1SJJTNM53U3DUC1XU8/Web-Tumult-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569910986622-PGLCUY4BPM5ZTK8ALAA1/Web-Radio+Booth-Indiv.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911044743-9NSPVESY5M2QHJ6HGCLN/Web-Radio+Booth-detail.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911149573-Y2IONG8ZSO30FHJ7D1MA/Web-Radio+Booth-detail4.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911046982-E7BHQRLVJ6GXHVIZNO0P/Web-Radio+Booth-detail3.jpg to be wrong with infinite precision (exhibition) https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1569911047359-Z51ATY1HKY0GHLBWHWGY/Web-Radio+Booth-detail2.jpg to be wrong with infinite precision (exhibition) https://www.yorkchang.com/originsvideo daily 0.75 2025-04-09 https://www.yorkchang.com/aporia daily 0.75 2023-01-13 https://www.yorkchang.com/shortwave daily 0.75 2023-01-13 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/a04d5a60-aeaf-45d1-9b56-240184dc1d31/shortwave-website-sized.jpg shortwave (sound) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.yorkchang.com/shrouds daily 0.75 2025-04-10 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1bea94ce-32f9-4e65-aed7-9f3271d9ff9c/_L9A7716.jpg shrouds (series) Shroud IV, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 12 in. x 7 in. Shrouds is an ongoing series of work which references a sort of photographic fatigue that emerged in response to our collective immersion in screens and images. The works are intended to register and constitute an elegiac form of the space between faith and evidence that is always being indexed by the photograph. The Shrouds begin as large scale photographs printed on mulberry paper, which are folded up to obscure and hide the source image inside. The folding enacts a hidden logic, sequence and structure, which are all working to reverse the process of the photographic image, taking us to that moment in which the image is still constructing itself, and before it’s been transmitted. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240504691-IE26BDVPKH4IYJB239B1/_L9A7717.jpg shrouds (series) Shroud IV, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 12 in. x 7 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240522533-0UMRWSGXFI01VH98XETS/_L9A7715.jpg shrouds (series) Shroud III, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 13 in. x 5 in. x 4 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240565587-EFH9AL1PJ5SK653BEG0W/_L9A7708.jpg shrouds (series) Shroud VIII, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 10 in. x 9.5 in x 3 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240572669-Q63TM0R66JT0V1BECEWJ/_L9A7711.jpg shrouds (series) Shroud VIII, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 10 in. x 9.5 in x 3 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240593088-VPSFOUCZ6OMHWYEV8XXI/_L9A7705.jpg shrouds (series) Shroud VI, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 11 in. x 10 in x 2 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744240607739-DYSSIFV9UH6OD7GGH5B0/_L9A7706.jpg shrouds (series) Shroud VIII, 2022 Inkjet print photograph on reversed and folded Japanese kozo paper 10 in. x 9.5 in x 3 in. https://www.yorkchang.com/memory-palaces-recent-work daily 0.75 2025-04-26 https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/f2771988-c71a-446e-a061-f697dced852f/Gugg_Image1.jpg memory palaces (recent work) - Make it stand out A History of Two Opposing Forces Seeking Disequilibrium (Memory Palace Series), 2023 handwoven dyed fabric, inkjet print and flashe paint on Japanese kozo paper scrolled on walnut posts 8 ft. x 3 ft. x 1.5 ft. This sculpture makes use of photographic indexes embedded in the formal tropes of flags, parchment scrolls, and theatrical curtains to make reference to the history of movements and actors caught up in ideological struggle. Newspaper images of extremists movements and dislocated migrants are veiled within the scrolled paper and only partially legible, signalling the hidden histories and the unobservable geopolitical forces at work. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252224573-2Y1JUGL3ZWWE21V06OO7/Gugg_Image6.jpg memory palaces (recent work) - Serpiente (Glyph series), 2022 Flashe paint, graphite, and pastel on stacked and folded Japanese kobo paper mounted on canvas 24 in. x 36 in. Language is the first conspiracy, making us accomplices when it falls apart/comes together/fails us/finds us right on the edge of legibility, and at the margins of meaning. The “Glyph” series is comprised ink drawings of newspaper texts, deconstructed and reconfigured to oscillate at the edge of legibility, simultaneously invoking the authority of English newspaper fonts and the traditions of Chinese calligraphy. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230188053-A8MJV6RRAEG6C4F86EEF/MemoryPalace-HistoryofKissing.jpg memory palaces (recent work) - A History of Kissing (Memory Palaces Series), 2024 mixed media and inkjet print on stacked Japanese kozo paper 72 in. x 50 in. This work is from the "Memory Palaces" series of collages and assemblage works operating as speculative mnemonic devices for an ahistoric world suffering from collective amnesia. The work is composed of enlarged images of clipped newspaper images collected and placed into relation to one another as montage, based on an invisible rubric, visual information buried underneath each successive image. The title references a number of images which document early archaeological evidence of the social practice of kissing, found in roughly the geographic area that is now Israel and Palestine. The series is an analog material representation of how our sense of memory, history, and truth deteriorates over time through the overaccumulation of experience and information. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230284244-228KHC9YR1GPGCEYOA44/Factograph_LaughingCrying.jpg memory palaces (recent work) - An Amplitude That Information Lacks (Factograph Series) inkjet on folded Japanese kozo paper 32 in. x 46 in. Factography is a concept coined by the Soviet avant-garde to describe the aesthetic practice of embedding facts within storytelling to register a greater collective truth. The term is applied here to describe the visual ordering and rhyming of photojournalistic images, triggering subjective patterns of narrative production in our collective subconscious. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229512684-AYPROE44YO448200CU7J/Gugg_Image14.jpg memory palaces (recent work) - Pattern Dependency, 2024 inkjet, charcoal, and photogel filters on folded Japanese kozo paper 24 in. x 37 in. This work is a pseudo-didactic diagram that echoes, points, and colors the underlying formal patterns in the neighboring photographic image, but vacates the work of specific content, information or instruction. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744229479220-KXF8ADW1HDA8QTORY319/Gugg_Image7.jpg memory palaces (recent work) - A History of Silent Negotiations (Memory Palaces Series), 2024 mixed media and inkjet print on stacked and folded Japanese kozo paper 72 in. x 50 in. This work is from the "Memory Palaces" series of collages and assemblage works operating as speculative mnemonic devices for an ahistoric world suffering from collective amnesia. The work is composed of enlarged images of clipped newspaper images collected and placed into relation to one another as montage, based on an invisible rubric, visual information buried underneath each successive image, including an image of the Rubens painting Venus Supplicating Jupiter. The series is an analog material representation of how our sense of memory, history, and truth deteriorates over time through the accumulation of experience and information. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744230662240-9WT0RWBLAI00BYXU6QJ8/MemoryPalace_excavated.jpg memory palaces (recent work) - A History of Forensic Extraction (Memory Palaces Series), 2024 inkjet on Japanese kozo paper, graphite on cut illustration board 22 in. x 14 in. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744247657434-JRHTYFCQNK03MIALF448/MemoryPalace_PoemGraph.jpg memory palaces (recent work) - Scene of Language (Throwing Voices Series) Charcoal on folded Japanese kozo paper 26 in. x 35 in. The Throwing Voices series invokes the slipperiness in language and memory by folding works of poetry into open diagrammatic systems susceptible to multiple circulating pathways of subjective meaning. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744246848490-137PDKXH3AO8JXOE2DDG/Tactical+Schematic_white_Gugg_Image12.jpg memory palaces (recent work) - Tactical Schematics IX, 2019 Acrylic and gesso on folded newspaper mounted on Arches paper 11.5 in. x 23 in. The “Tactical Schematics” series draws on the history of minimalism as a starting point, but reinvests the theatrical concepts underpinning minimalism with more of the urgency and uncertainty of the moment. The forms presented are not so much about a formal reduction and streamlining of visual information, as they are an expression of power and control in an information age- the redaction of factual information with a subjective gesture substituting as the presence of material fact. https://images.squarespace-cdn.com/content/v1/58dd5e02893fc0e5ef6ec888/1744252065365-E8KU44T32MAHRB2BEUTR/Gugg_Image2.jpg memory palaces (recent work) - The Ungovernable (Nuxalk Tribe), 2024 inkjet, Flashe paint on Japanese kozo paper and illustration board in aluminum frame 11" x 14" This work engages with directly with the complexities and ethics of how an image (and its referent by extension) can be made both beneficiary and subject to power through legal controls or regulations- here, a found photograph of an indigenous sculpture evades copyright law and federal prohibitions against photography and display of registered native objects, through the strategic alteration and transformation of the image into a contemporary forensic object- taking as its subject the Naxalk tribe’s historical refusal to register with the U.S. government. https://www.yorkchang.com/unnatural-boy-sound daily 0.75 2025-04-12